About Mahanavami Dibba
Mahanavami Dibba is a grand three-tiered stone platform located within the Royal Enclosure at Hampi, Karnataka, part of the Group of Monuments at Hampi UNESCO World Heritage Site. Built in the 16th century during the Vijayanagara Empire, it served as a royal dais for the king to view Mahanavami (Dasara) festivities and ceremonies. Notable for its massive granite base, intricate carvings of elephants, horses and dancers, and panoramic views over the enclosure.
Visitors guide
Visitors can expect a large, elevated, three-tiered stone platform in the Royal Enclosure with broad stairways on the front and sides. The lower tiers feature detailed stone carvings of animals, warriors, and dancers. Visitors can climb to the flat top via steps for panoramic views of the Royal Enclosure, Stepped Tank and surrounding ruins. The structure is open-air, surrounded by other royal remains, with interpretive signage and guides available.
Key highlights
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Massive three-tiered granite platform rising about 12 meters high
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Intricate carvings of elephants, horses, camels, dancers and hunting scenes on the lower tiers
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Panoramic view of the Royal Enclosure and Hampi landscape from the top
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Located within the fortified Royal Enclosure near the Stepped Tank and Audience Hall
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Associated with Vijayanagara Mahanavami (Dasara) royal ceremonies
History of Mahanavami Dibba
Mahanavami Dibba was constructed during the Vijayanagara Empire, attributed to King Krishnadevaraya around 1513 CE to commemorate his victory over Udayagiri in present-day Odisha. It served as a high royal platform from which the king viewed the nine-day Mahanavami festival celebrations, military parades, music, dance and processions, and received tribute. It is part of the Group of Monuments at Hampi, designated a UNESCO World Heritage Site.
Culture & Context
The platform is culturally significant as the ceremonial centre for the Mahanavami (Dasara) festival of the Vijayanagara kingdom, reflecting royal ritual, courtly display and state ceremony. Its carvings illustrate contemporary court life, festivals and traditions of the period and remain an important example of Vijayanagara art and architecture.
Route
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