About Bibi Ka Maqbara
Bibi Ka Maqbara is a 17th-century Mughal mausoleum located in Chhatrapati Sambhajinagar, Maharashtra. Commissioned by Emperor Aurangzeb in memory of his wife Dilras Banu Begum, it is often referred to as the 'Taj of the Deccan' due to its architectural resemblance to the Taj Mahal. The structure features white marble and stucco ornamentation, four minarets, and a charbagh garden layout. It stands as a significant example of late Mughal architecture in the Deccan region.
Visitors guide
Visitors can explore the main mausoleum containing the tomb of Dilras Banu Begum, surrounded by intricate stucco work and calligraphy. The complex includes a symmetrical Persian-style garden with fountains and water channels. Four towering minarets frame the central structure. Visitors can walk through the landscaped grounds, view the mosque within the complex, and observe the blend of marble and plaster decoration characteristic of Deccani Mughal style. Photography is permitted in designated areas.
Key highlights
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17th-century Mughal mausoleum built by Aurangzeb for his wife
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Architectural resemblance to the Taj Mahal earning it the name 'Taj of the Deccan'
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Intricate stucco and marble ornamentation on the central tomb
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Four ornamental minarets surrounding the main structure
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Persian-style charbagh garden with water channels
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On-site mosque within the monument complex
History of Bibi Ka Maqbara
Built between 1651 and 1661 AD by Prince Azam Shah (son of Aurangzeb) in memory of his mother Dilras Banu Begum (Rabia-ud-Durrani). Designed by architect Ata-Ullah from the Safavid Empire, it represents the transition of Mughal architecture into the Deccan. It is the second largest structure built by Aurangzeb and reflects the financial constraints of the later Mughal period through its use of stucco instead of extensive marble.
Culture & Context
Regarded as a symbol of conjugal fidelity and Mughal heritage in Maharashtra. It serves as a prominent cultural landmark connecting the Deccan region to North Indian Mughal traditions. The monument is frequently cited in local folklore and literature as the 'Mini Taj', representing regional pride in Indo-Islamic architectural history.